FIFA STREET 4 ALL STADIUMS TV

These can be configured to facilitate different functional groups rather than being dedicated accessible positions for each of the above functional groups. Whilst it is common for commentators to be in open positions, in certain regions it is important to include enclosed booths for radio commentators.Īccessible spaces for wheelchair users should be provided within the media tribune. The number of spaces that are needed will depend on the match being hosted, and these provisions should guide projects from the inception. It should be provided as close as possible to the centre of the main stand, overlooking the field of play. Spectator seating directly in front of the presentation studio should be designed to ensure that spectators do not interfere with the view from the studio.Ī media tribune is the area that contains seating for broadcast commentators and media to watch the match. These are often used regardless of the provision of presentation studios. Stadiums should also consider pitchside presentation positions for use prior to the match, typically along the edge of the pitch in front of the main stand.

FIFA STREET 4 ALL STADIUMS TV

In such cases, these presentation studios are often used more intensely than TV studios. The glazing should, where possible, be large sheets with minimal joints and be angled or treated to prevent excessive light reflection into the cameras. Where provided, these should offer the same technical qualities as the TV studios in a space that has a view of the seating bowl and the pitch as the backdrop for broadcasting. In larger stadiums, presentation studios are often provided to allow broadcasters to host coverage of the match.

All studios within the stadium should have power, lighting and ventilation installations that take account of the extra electrical and data connectivity loads required in the rooms and respect the acoustic constraints needed to ensure that high-quality recorded content can be captured. Along with the interviewer, camera operators and support staff, a room with at least 25m² of usable space is typically required. Where TV studios are provided, they should provide space for multiple people to be interviewed at the same time. The degree of permanent cabling within a stadium will depend on the matchday operational plan, however, flexibility of design can be achieved by providing ample connection points throughout the stadium. crane or pole cameras) located adjacent to the field of play. The main camera platform will provide space for several cameras, and the exact number should be determined by the competition(s) being hosted.įor larger stadiums, the specific requirements of local broadcasters should be considered, including defining the need for speciality camera systems such as spider-cams suspended from roof structures and boom cameras (e.g. The main camera platform should be located on the halfway line in the main stand and should be positioned to ensure cameras are not affected by the angle of the sun during matches (refer to Section 2.2). A standard single camera platform is 2m x 2m.

Space should be provided for the camera operator along with access routes that aid the easy installation and removal of equipment. The space required for a camera must extend beyond the dimensions of a TV camera and its tripod.

Fifa street 4 all stadiums